15. To the illuminated man all existence (in the three worlds) is considered pain owing to the activities of the gunas. These activities are threefold, producing consequences, anxieties and subliminal impressions.

The three “gunas” are the three qualities of matter itself, sattva, raja and tamas, or rhythm, activity and inertia, and are inherent in all forms. The student needs to remember that every form on every plane is thus characterized, and this is true of the highest form as of the lowest, the manifestation of these qualities only differing in degree. To the man who is achieving perfection it becomes increasingly apparent how every form through which he, the divine spiritual man is manifesting, causes limitation and difficulty. The physical vehicle of the adept, though constructed of substance predominatingly sattvic in nature, equilibrated and rhythmic, yet serves to confine him to the world of physical endeavor and limits the powers of the true man. Speaking generally it might be said that:

1. The attribute of inertia (or tamas) characterizes the lower personal self, the sheaths of the threefold lower man.

2. The attribute of activity is the prime characteristic of the soul, and it is this quality which causes the intense activity and constant labor of the man as he seeks experience and later, as he seeks to serve.

3. The attribute of rhythm, or balance, is the quality of the spirit or monad and it is this tendency to perfection which is the cause of man’s evolution in time and space and the factor which carries all life through all forms to the consummation. Let us bear in mind here, however, that these three qualities are the qualities of the substance through which the triple spirit is manifesting in this solar system. The nature of spirit itself we know not as yet, for we cannot think except in terms of form, however, transcendental those forms may be. Only those souls who have attained the highest initiation and can pass beyond our solar ring-pass-not know somewhat of the essential nature of that which we call spirit. Coming to the practical manifestation of the gunas in the three worlds (in relation to man) it can be noted that:


1. The attribute of balance or rhythm distinguishes the mental vehicle. When the mental body is organized and man is being directed by his mind, his life becomes stabilized and organized also and the direction of his affairs proceeds in a balanced manner.


2. The quality of activity or mobility is the characteristic of the emotional or astral nature and, when this is dominant the life is chaotic, violent, emotional and subjected to every mood and feeling. It is primarily the quality of the desire life.


3. Inertia is the quality dominating the physical body and the whole objective of the ego is to break down that inertia and drive its lowest vehicle into an activity which will bring about the desired ends. Hence the use and necessity for the guna of mobility


Pain is the product of these form activities, for pain is the result of the inherent difference between the pairs of opposites, spirit and matter. Both the factors are “at peace” essentially until brought into conjunction and both resist each other and produce friction and suffering when united in time and space.


Patanjali points out that this pain is comprehensive, covering past, present and future.

1. Consequences. Pain is brought about through the activity of the past and the working out of karma as it is expressed in the adjusting of mistakes, the paying of the price of error. The settling of past obligations and debts is ever a sorrowful process. Certain past eventualities necessitate present conditions both of heredity, environment and type of body, and the form, both of vehicle and group relations, is painful to the soul, who is confined thereby.

2. Anxieties. This concerns the present and is sometimes translated—apprehensions. If the student will study this term he will note that it covers not only the fear of evil in suffering, but also the fear of failure in the spiritual body in service. These equally cause pain and distress and parallel the awakening of the real man to a realization of his heritage.

3. Subliminal impressions, has relation to the future and concerns those forebodings as to death, suffering and need which dominate so many of the sons of men. It is the unknown and its possibilities that we fear both for ourselves and others, and this in its turn produces pain.


16. Pain which is yet to come may be warded off.

The Sanskrit words here give a twofold idea. They infer first of all that certain types of coming “misery” (as some translations give it) may be avoided by a right adjustment of a man’s energies so that through his changed attitude of mind, painful reactions are no longer possible, and through the transmutation of his desires old “pains” are impossible. It infers secondly that life will be so lived in the present that no causes will be set in motion along the line of pain-producing effects. This dual inference will cause in the life of the yogi a dual discipline involving a set determination to practise non-attachment, and a steady discipline of the lower nature. This will bring about a mental activity of such a nature that old tendencies, longings and desires no longer attract, and no activities are indulged in which can produce later karma, or results.

That which is past can only now be worked out, and that type of karma, bringing pain, sorrow and misery in its train must be allowed to follow out its course. Present karma, or that precipitation of effects which the ego plans to disperse in the present life-cycle must equally play its part in the emancipation of the soul. It is, however, possible for the spiritual man so to govern the lower man that the happenings of karma (or the effects as they work out into the physical objective world) may cause no pain or distress, as they will be seen and met by the non-attached yogi. Nor will further pain-producing causes be allowed to be set in motion.


17. The illusion that the Perceiver and that which is perceived are one and the same, is the cause (of the pain-producing effects) which must be warded off.

This sutra brings us right back to the great basic duality of manifestation, the union of spirit and matter. It is their interplay which produces all the form-producing modifications or activities on the various planes and which is the cause of the limitations which pure consciousness has imposed upon itself. In a small commentary such as this it is impossible to enter with any fullness into this subject. All that it is possible to do is to touch upon the subject as it affects man himself. It might be summed up as follows:—All pain and sorrow is caused by the spiritual man identifying himself with his objective forms in the three worlds and with the realm of phenomena in which those forms have their activities. When he can detach himself from the kingdom of the senses and know himself as the “one who is not that which is seen and touched and heard” then he can free himself from all form-limitations and stand apart as the divine perceiver and actor.

He will use forms as he desires in order to attain certain specific ends but is not deluded into regarding them as himself. Students would do well to learn to hold the consciousness that in the three worlds (which is all that concerns the aspirant at this stage) he is the highest factor in the well-known triplicities:


The Perceiver. . . . Perception. . . . . . . That which is perceived,

The Thinker. . . . . .Thought. . . . . . . . .Thought forms,

The Knower. . . . . Knowledge. . . . . . The field of knowledge,



The Seer. . . . . . . . Sight. . . . . . . . . . . That which is seen,

The Observer. . . . .. Observation. . . . . That which is observed,

The Spectator. . . . Vision. . . . . . . . . . The Spectacle,



and many others equally well known.


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s

%d bloggers like this: